12/26/2023 0 Comments Lattice pattern rugs![]() ![]() Please Note: Allow for a slight variation of colours depending on monitor settings. Please Note: This item cannot be delivered to a PO Box, only to a street address. Click here to view our range of rug pads. Important Tip: We recommend that an anti-slip pad such as our Supa Rug Grip is used underneath rugs to prevent slippage between the rug and the surface it is placed on. These elegant modern rugs are skillfully crafted, with subtle patterns and light neutral colours that are aligned with today's interior styling trends.Ī rug from this collection will surely be the new talking point of your home. ![]() If you enjoy modern styling, choose a rug from our Caldwell collection. This rug features a beige trellis / lattice pattern on a grey, beige and light blue stripe patterned background.Ĭomprising of a dense, thick, high quality 12mm pile, this rug is both easy to maintain and durable, with it's non shedding and anti-static properties. ![]() Make a stunning statement in any area of your home with this gorgeous, abstract contemporary patterned rug. 119–29.Caldwell Lattice Grey Trellis Patterned Modern Rug 14.40.721 and 14.40.715 for two of them), but he collected seven superb examples of Indian pashmina carpets, the largest group in any collection. Not only did he own three of the Museum’s small silk "Kashan" rugs (of sixteen known worldwide see MMA nos. Benjamin Altman, the department store magnate who left the Metropolitan Museum his superb collections of old master paintings and Chinese porcelain, should also be remembered for the refinement of his taste in carpets. Elements in the pattern allow us to estimate the original length at more than twenty-three feet (seven meters), a great size for a carpet of this quality. The masterful weavers came to use the pile fiber just as painters use pigments, blending or juxtaposing different colors to create mottled or even shaded effects, as in the leaves of some of the large blossoms or the little hillocks and scudding cloud wisps in the border. The extremely fine weave (just over 1,000 knots per square inch) allows for sublime refinement in drawing and detail. Large fantastical blossoms are placed at the points where the vines meet, and smaller blossoms appear in the compartments as part of a secondary vine pattern. Here the field is divided into compartments, with a lattice formed by reciprocating serrated vines. The field pattern of these fragments represents a popular variation of the classic flower style, in which rows of flowers are presented in profile. Late in the century and throughout the next, the fussier millefleur style came into fashion, and floral elements became much finer in scale, sometimes clustered in repeating units. The majority of seventeenth-century examples thus reflect variations of the flower style favored at court after 1630. The earliest surviving Indian example dates from about 1620 to 1625, around the time of Jahangir’s initial infatuation with the flowers of Kashmir (see MMA no. The idea for using pashmina for carpets, and not only for shawls, seems to have originated in Iran during the second half of the sixteenth century. Pashmina had a number of advantages over silk as a pile fiber: it was strong, it allowed for an unparalleled fineness of weave, and it absorbed and reflected color at least as well as sheep’s wool. Carpet Fragment with Pattern of Latice and Blossoms Among all traditional carpet-weaving societies, northern India during the seventeenth and eighteenth centuries was unique in using the fine underhair of a breed of domesticated goat (Capra hircus laniger) over silk as the preferred pile material for the highest grade of carpets. ![]()
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